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Molecular Oscillations

I have been conducting research on the translation of scent into sound. What does it mean to translate? In Latin, translatio means ‘bearing, carrying, bringing something beyond, across, or over, (…) that is finding a means of overcoming some obstacle. One could speak here of a metaphor of a bridge, making it move something to a different place, which would otherwise be beyond one’s reach.’ In this research, I set out to explore this translation based on biophysicist Luca Turin’s Vibration Theory. This theory suggests that humans are able to detect and translate smells based on their unique shapes and vibrations. It is not a validated theory, but it is worth expanding on to explore the translation of scent into sound. This research, is the foundation for an extensive research on translating molecular properties of scent into audio frequencies, and bridge the translation between the scientific perception of molecules and the embodied perception of experiencing sound and scent. ​

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The full research on the translation of scent into sound includes a sensory toolkit, which consists of a hardbound book, blotters, and fragrance ingredients: cis-3-Hexenol, Cyclamen Aldehyde, and Vanillin.

Starting from the inner circle, the first layer of the circle is called olfactive family, which is a broad term to categorize fragrances that are related but not the same. The second layer is called olfactive subfamily, which represents fragrances that are very similar and have small nuances between them. The third layer is the fragrance ingredient name, which does not always correspond to its origin or placement in the fragrance wheel. For example, aldehyde C14 (peach), C16 (strawberry), and C18 (coconut) are fruity notes and are absolutely different from the family Aldehydic (metallic, fresh). The names reveal little information about their smell. The fourth layer is a description of the smell. This is my own interpretation of the smell and can vary (very!) from person to person. The fifth layer are the notes: top-, heart, or base notes. They reveal information about the volatility of smells. Even in families and subfamilies, scents can range from top to base notes. The sixth layer reveals information about the composition: whether they are natural, synthetic, or compositions.

If you would like to try the exercise of blind-smelling, please follow the instructions below:

First, you take a blotter (fragrance test strip). You then take a vial from your box. You can dip the blotter in the fragrance. Preferably, wait a couple of seconds before smelling to let it mellow down a bit. Take your time smelling the fragrance ingredient. It is irrelevant to look at the name on the label. Try to use descriptive words that resonate with this experience (borrow words from other senses like a texture, a colour or a shape).

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Fragrance wheel

Pyramid

From top to bottom, left to right, you will find the fragrance ingredients organised based on their molecular weight and volatility. A discovery, for example, was that Allyl Amyl Glycolate is considered a top/heart note but its molecular weight places it higher in the pyramid than other top notes.





 

Library

Please reload the page if the library is not visible. Data obtained from scentree.co. “ScenTree - the New Collaborative Perfumery Ingredients Classification - General,” n.d., https://www.scentree.co/en/map/General.




 

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Vanillin-IRspectroscopy.png

IR-spectrum

Since there are various peaks in the IR-spectrum we concluded to not translate every bit of information from the spectrum (namely the ones that are very similar in frequency and amplitude). What is especially interesting to notice here, are the fingerprint regions which contain the highest absorption which visually creates a lot of peaks. 

IR-spectrum from top to bottom: Cis-3-Hexenol, Cyclamen Aldehyde and Vanillin.

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Audio translations

Please follow the instructions below:

First, you take a blotter (fragrance test strip). You then take a vial from your box (preferably in this order: Cis-3-Hexenol, Cyclamen Aldehyde and Vanillin). You can dip the blotter in the fragrance. Please wait a couple of seconds before smelling to let it mellow down a bit.

Take your time smelling and listening.

 







 

Cyclamen Aldehyde - Layers
00:00 / 00:21
Cyclamen Aldehyde - Cluster
00:00 / 00:05
Cis-3-hexenol - Layers
00:00 / 00:21
Cis-3-hexenol - Cluster
00:00 / 00:07
Cis-3-hexenol - Motion
00:00 / 00:15
Cyclamen Aldehyde - Motion
00:00 / 00:17
Vanillin - Layers
00:00 / 00:32
Vanillin - Cluster
00:00 / 00:07
Vanillin - Motion
00:00 / 00:19

There is an interesting discovery here which says something about the volatility of the fragrances and how this aligns with the audio frequencies.

Cis-3-hexenol being a top note has fewer layers and produces more high-frequency sounds. Compared to Vanillin, which has more layers and produces low-frequency sounds. Cyclamen Aldehyde is in the middle of these two. The sounds here represents their placement as top-, heart- and base notes. For now, I can not make any assumptions, and it might be wishful thinking to think of this as a pattern. It is clear to me that this research needs much more time to develop, but its potential is broad and complex and worth expanding.




 

Acknowledgements 

This research has been made possible through contributions from Denise Vonck (IR-spectrum), Johan Kooi (Audio translations), and VAKTOR.

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